Fallen behind a lot with this, and the problem with writing gig blogs a week and a half after I've done them means I can't remember what the hell I actually played. But hey, here goes...
I do seem to remember varying my opening songs with this one, kicking off I think with Girl's Names and Get Out Of My Head. The knock-on effect of both this and the fact that I wasn't really concentrating on my set list was to have consequences later, but for the moment this seemed to be a solid performance.
Next came the song that I'm pretty sure now is called Always Remember Me. I've been playing this quite a bit lately and people seem to like it, I'm not sure how fond I am of my guitar playing on this one as I tend to either rush the verses or not articulate all the sounds in the chorus when I know I can do better. That's something to practice, but to be perfectly honest I'd rather get my own material down to a T...
The rest of the gig went by in something of a haze, except that I remained on the stage for longer than my usual 7 songs. At one point I did High by Feeder while a Commodores video was showing on the screen above, made a snide comment about Lionel Ritchie's haircut beggaring belief (It was 3 Times A Lady if you want to have a look) and forgetting the words, which shouldn't really have happened but comical observations are something I have been trying to do lately and the lads from Mezzotonic, who's gig it was, at least found it funny...
Of course, I ended up using all my mid-paced songs up and putting my 3 fastest ones towards the end, which would have just been dull. While this did result in a rare and not-altogether-welcome outing of Prisoner of my Mind, it shouldn't really have happened and added to the idea that tonight I just wasn't concentrating. Next time I do a full gig (I've got a couple booked for the Wharf Bar,) I will have to think about that a bit more; I don't want to fall flat on my face for not being bothered to write a set-list!
Kudos to Mezzotonic, though. The gig itself suffered from a poor turnout - the night started with about 15 people in the room, half of which walked out just before I went on, and the rest of them walked out just before the band went on. It's never easy to play a gig when there are less people in the audience than there are in the band, but it meant the band got to try some material and covers that they wouldn't normally play, and I felt quite privelidged to see that. There were some other lads who showed up at one point, but there was football on in the other room, so, you know...
Wednesday, 5 October 2011
Tuesday, 27 September 2011
23/9/2011: Victoria Inn
Well here's me thinking I wasn't going to get a gig in this week and somehow I find myself doing 2. Here's how the first of them went:
This was an emergency booking I picked up quite by chance on Facebook last Friday, from Prickly Promotions. I've actually got a lot of time for these guys, they're one of the few promoters I've come across so far who have been able to get their mind around the idea that promotion is their job as well as the bands. And it seems to be working well because there was a brilliant turnout for tonight; there were around 40 people in the room tonight which for the Victoria Inn is near enough full. And I hadn't brought anybody, Luke Huntley hadn't brought anybody, Tom Lloyd brought 2 people... and there were only another 2 acts on! So they're doing OK. Cal told me it's getting pretty popular now, unfortunately they seem to be plagued with pull-outs...
Anyway, on to the show. I didn't intend to surprise anybody tonight - I didn't think I was going to get a gig in, after all - and started off with the Bitterness/Get Out Of My Head Combo. Pretty much the same as I did the last time I played there, but with almost a completely different audience (apart from Tiffany, who remembered me) it worked as well as it ever did. I've done enough gigs now to make those songs bang on perfect when I play them, which is a nice position to be in.
It was then time for the mid-set cover, and I had intended to play either Let's Start a Band or that one by the Noisettes I can never remember the name of. However I was really trying to engage with the crowd this time rather than playing songs, and when Tiffany heard I could play A Little Respect she requested that one. Not a bad choice, it's almost impossible not to enjoy it and that was the part of the show that the people who spoke to me afterwards remembered. Learning that one way back in 2007 was probably one of the best decisions I made that year!
Storm from the North was next, interjected with the Metallica bit. I rarely do that, but I think before I do it again anywhere I'd better learn how to play it, because the kids in the schools I was teaching at last year can play that song better than I can and I really did mess it up a lot. I think I fluffed some lyrics in that one as well and I really ought to know better; I need to concentrate!
I finished up with We Will Survive, which I'm really enjoying playing live, no matter what the audience thinks of it. (Rarely unkind, for the record.) I think that's a nice energetic one to play and now that I'm not worrying about getting it wrong (it still happens, I just don't worry about it!) it gets the right combination of chemicals going around in my bloodstream so that I can leave the stage wishing I was still there, which is never a bad thing. Now if I could just get the audience to feel the same way...
Not necessarily my best but as ever far from my worst, and it's always a pleasure to play for Prickly. Long may it continue.
This was an emergency booking I picked up quite by chance on Facebook last Friday, from Prickly Promotions. I've actually got a lot of time for these guys, they're one of the few promoters I've come across so far who have been able to get their mind around the idea that promotion is their job as well as the bands. And it seems to be working well because there was a brilliant turnout for tonight; there were around 40 people in the room tonight which for the Victoria Inn is near enough full. And I hadn't brought anybody, Luke Huntley hadn't brought anybody, Tom Lloyd brought 2 people... and there were only another 2 acts on! So they're doing OK. Cal told me it's getting pretty popular now, unfortunately they seem to be plagued with pull-outs...
Anyway, on to the show. I didn't intend to surprise anybody tonight - I didn't think I was going to get a gig in, after all - and started off with the Bitterness/Get Out Of My Head Combo. Pretty much the same as I did the last time I played there, but with almost a completely different audience (apart from Tiffany, who remembered me) it worked as well as it ever did. I've done enough gigs now to make those songs bang on perfect when I play them, which is a nice position to be in.
It was then time for the mid-set cover, and I had intended to play either Let's Start a Band or that one by the Noisettes I can never remember the name of. However I was really trying to engage with the crowd this time rather than playing songs, and when Tiffany heard I could play A Little Respect she requested that one. Not a bad choice, it's almost impossible not to enjoy it and that was the part of the show that the people who spoke to me afterwards remembered. Learning that one way back in 2007 was probably one of the best decisions I made that year!
Storm from the North was next, interjected with the Metallica bit. I rarely do that, but I think before I do it again anywhere I'd better learn how to play it, because the kids in the schools I was teaching at last year can play that song better than I can and I really did mess it up a lot. I think I fluffed some lyrics in that one as well and I really ought to know better; I need to concentrate!
I finished up with We Will Survive, which I'm really enjoying playing live, no matter what the audience thinks of it. (Rarely unkind, for the record.) I think that's a nice energetic one to play and now that I'm not worrying about getting it wrong (it still happens, I just don't worry about it!) it gets the right combination of chemicals going around in my bloodstream so that I can leave the stage wishing I was still there, which is never a bad thing. Now if I could just get the audience to feel the same way...
Not necessarily my best but as ever far from my worst, and it's always a pleasure to play for Prickly. Long may it continue.
Thursday, 15 September 2011
14/9/2011: Katy Fitzgeralds
To quote the Honda advert, "Isn't it nice when things just... work?"
I was opening the gig tonight and there was a very strong line-up with an appreciative audience; I felt just about the right amount of pressure to deliver the goods with this one. It might seem strange therefore that I started the gig with Believe, but there was a reason for it. I basically hadn't played guitar much at all that day and my hand wasn't warmed up; starting off with Bitterness or We Will Survive would have been a recipe for disaster and I knew it. I thought it better to start with a relatively sedate one for me, although that last chorus seems to soar and I was really feeling it tonight. I guess I haven't opened with that one before, or if I had then it hasn't been for a while, so there would have been less of a feeling of going through the motions than there may otherwise have been.
THEN I was ready to play Bitterness. I think I've got that song down to a fine art now, from the fast strums right down to the positioning of my mouth to the microphone for the quiet to loud bits. It was probably one of the more memorable moments of the set and I thoroughly enjoyed playing it.
Get Out Of My Head was next. This one is another one that I'm playing very well these days; I don't know if it went down quite as well as Bitterness - a lot of the guys in the audience were quite young - but the subtleties of that song make it a very enjoyable one to play. Thinking about it, it's also the only one I currently play that relies on a riff rather than a chord sequence to carry the verse, not often in acoustic music does that happen. Not music that I listen to anyway. It's something I'd quite like to develop, and I'm well on my way to doing so with another song that's in the pipeline which hopefully people will hear soon.
Next I tried a song by the Noisettes; not sure what it's called, it's either Never Forget You or Always Remember Me, but I play it in the 82s and I really like it. It actually went down really well, a lot of the guys in the audience recognised the song and they can't have heard it live often; I don't hear it played by many - if any - of my contemporaries. There's some bits that need ironing out, namely the strumming pattern in the second verse; I could feel myself rushing it but I couldn't do anything about it without stopping, but it didn't spoil what I would otherwise consider to be quite a convincing delivery.
For some reason whenever I do a 7-song gig these days, Storm From The North is always the 5th one. Actually I know exactly what the reason is; it's the mid-set epic and therefore needs to be in the middle of the set. I don't know if that's becoming a little predictable now that I've been playing it for a few months, and especially at Katies where I play a lot, but I honestly can't think of a better place to put it. I played it well, I think, and the audience is familiar enough not to clap too soon!
I was torn then between playing Girls Names and Chapter One. I went with Girl's Names because it's faster; I was having a really good gig by now and I wanted to keep up the pace. I'm struggling a lot less with the 12/8 bit; fewer are the times when I mess up the chords and I'm used to singing it now to the point where I can make it sound good (if you haven't heard the song, that part is quite low and I find it difficult to project my voice.) It went down as well as it ever does, it's familiar at Katies so I do play it quite a bit.
I wrapped it up with We Will Survive, and I seem to be getting far more precise with this one as well. It's come from all this gigging, I'm sure; sometimes it's the only time I play guitar these days but as the stakes are always higher on the stage than they are in my bedroom, no matter how good the gig is, I'm under a lot of pressure to get it right when I do play it. That kind of experience have really put some of these songs at another level which after all this time I am very pleased with! And fortunately so were my audience.
Well, blowing my own trumpet a little bit here but I think I set the bar quite high for what was to follow! I had a lot of people come up to me afterwards telling me how much they enjoyed the show which is always a nice feeling. I wouldn't normally do this on this blog, but big well done to Georgia and Will, who followed me, and Sam, who wrapped up the gig very well indeed with a sing-along chorus. It really was a great night and a fine reminder of why I play live.
I was opening the gig tonight and there was a very strong line-up with an appreciative audience; I felt just about the right amount of pressure to deliver the goods with this one. It might seem strange therefore that I started the gig with Believe, but there was a reason for it. I basically hadn't played guitar much at all that day and my hand wasn't warmed up; starting off with Bitterness or We Will Survive would have been a recipe for disaster and I knew it. I thought it better to start with a relatively sedate one for me, although that last chorus seems to soar and I was really feeling it tonight. I guess I haven't opened with that one before, or if I had then it hasn't been for a while, so there would have been less of a feeling of going through the motions than there may otherwise have been.
THEN I was ready to play Bitterness. I think I've got that song down to a fine art now, from the fast strums right down to the positioning of my mouth to the microphone for the quiet to loud bits. It was probably one of the more memorable moments of the set and I thoroughly enjoyed playing it.
Get Out Of My Head was next. This one is another one that I'm playing very well these days; I don't know if it went down quite as well as Bitterness - a lot of the guys in the audience were quite young - but the subtleties of that song make it a very enjoyable one to play. Thinking about it, it's also the only one I currently play that relies on a riff rather than a chord sequence to carry the verse, not often in acoustic music does that happen. Not music that I listen to anyway. It's something I'd quite like to develop, and I'm well on my way to doing so with another song that's in the pipeline which hopefully people will hear soon.
Next I tried a song by the Noisettes; not sure what it's called, it's either Never Forget You or Always Remember Me, but I play it in the 82s and I really like it. It actually went down really well, a lot of the guys in the audience recognised the song and they can't have heard it live often; I don't hear it played by many - if any - of my contemporaries. There's some bits that need ironing out, namely the strumming pattern in the second verse; I could feel myself rushing it but I couldn't do anything about it without stopping, but it didn't spoil what I would otherwise consider to be quite a convincing delivery.
For some reason whenever I do a 7-song gig these days, Storm From The North is always the 5th one. Actually I know exactly what the reason is; it's the mid-set epic and therefore needs to be in the middle of the set. I don't know if that's becoming a little predictable now that I've been playing it for a few months, and especially at Katies where I play a lot, but I honestly can't think of a better place to put it. I played it well, I think, and the audience is familiar enough not to clap too soon!
I was torn then between playing Girls Names and Chapter One. I went with Girl's Names because it's faster; I was having a really good gig by now and I wanted to keep up the pace. I'm struggling a lot less with the 12/8 bit; fewer are the times when I mess up the chords and I'm used to singing it now to the point where I can make it sound good (if you haven't heard the song, that part is quite low and I find it difficult to project my voice.) It went down as well as it ever does, it's familiar at Katies so I do play it quite a bit.
I wrapped it up with We Will Survive, and I seem to be getting far more precise with this one as well. It's come from all this gigging, I'm sure; sometimes it's the only time I play guitar these days but as the stakes are always higher on the stage than they are in my bedroom, no matter how good the gig is, I'm under a lot of pressure to get it right when I do play it. That kind of experience have really put some of these songs at another level which after all this time I am very pleased with! And fortunately so were my audience.
Well, blowing my own trumpet a little bit here but I think I set the bar quite high for what was to follow! I had a lot of people come up to me afterwards telling me how much they enjoyed the show which is always a nice feeling. I wouldn't normally do this on this blog, but big well done to Georgia and Will, who followed me, and Sam, who wrapped up the gig very well indeed with a sing-along chorus. It really was a great night and a fine reminder of why I play live.
Wednesday, 7 September 2011
Gigs from 26/8 to 5/9
So this is by far the busiest I have ever been with gigging. I count it 10 in 11 days, and to be perfectly honest blogging up a track-by-track review of all of them would be far more work than it would be fun, even if I could remember what we played! So what I'm going to do instead is give a brief run-down of what they were, where they were, and how it all went down...
26/8/2011
It all started on what I can only describe as a soggy afternoon at the Pulse Festival, just North of Coven, with Natasha and the 82s. This was a relatively short set for us, only 10 songs. I was suffering from having not long changed my guitar strings, and it kept going out of tune in the weeks running up to it and had only just began to settle; not helped by the fact that I hit the thing rather hard! The highlights of the set were definitely Word Up and Sound of the Underground, where I pump up the gain and really let loose on the guitar. The mistakes were there and we knew it, but it was our first gig so we weren't going to be too hard on ourselves.
27/8/2011
The following day I was at The Malt Shovel in Great Barr, playing a Summer Jam festival organised by the Kiesters Brown who I'd met in Stafford a few months before. Lots of summer festivals! There was a distinctly 'British' feel to this one, i.e. it was pouring it down with rain. The festival also suffered from a few pull-outs, so there was quite a bit of time between bands which meant I didn't get to see them all and unfortunately I missed the Kiesters. My set went OK, not the most inspired I've ever felt while playing a gig but my song order was by then becoming quite predictable. That being said, it's the best feeling in the world to see your own lyrics being sung back to you while you're playing, and as a lot of the guys with the Kiesters had seen the video of me that we did in Stafford Uni, a lot of the guys knew my songs already! On the downside, I've really got to stop tapping my foot while I'm doing A Little Respect. It hurts after a while!
28/8/2011
After band practice with Aki Maera we went down to Katies to play their summer festival, and despite it happening in the upstairs bar because the downstairs area was flooded, I actually had a really good time with this one. I almost reversed my setlist, instead opening with Girl's Names (I can play it well enough now to put on a far more convincing performance) and enjoyed it a lot more for all that. Also Dale recorded me singing Wide Open Space, and Amy recorded me singing Girl's Names, so there might be a couple of you-tube videos and a duet with Dale in the runnings before too long...
31/8/2011
That was supposed to be it until Friday but it turns out Emma wanted to book me for the Sunflower Lounge again due to another pull-out. I remember feeling very morose for this one because my mouth was in searing pain, and I adjusted my setlist to put all my miserable songs in there. It actually worked quite well because there was some semblance of consistency in my set, and it was nice to play Dear Mr Manager again; I don't often play it but it fit the bill for tonight. I asked the audience at the end whether they wanted a fast song or a slow song to finish off, somebody said 'fast' and I brought it to a close with Bitterness, a good decision because it always goes down well, Mitch liked it and so did the other guy who played that night!
2/9/2011
Another 82s gig, this one was at the Sneyd Inn and was pretty much our first full gig. It went OK, we were playing the songs better than we did the Friday before. There were booking agents there who were giving us some very useful feedback, for which I am grateful, but there are other things to sort out. For a start, if Rich and Sue are going to do a Name That Tune thing before we start the song, it would really help if they tell me and Jarv first, because if your own band doesn't know what you're playing it doesn't bode well for anybody else. But there were a few people there who really enjoyed what we were doing so if nothing else, I know we're playing the right songs very well. Hopefully there'll be a keyboard player pretty soon as well...
3/9/2011
A quick note about Open Mic UK: I was scheduled to audition, and if I pretend that the reason I didn't was for anything other than I didn't get up early enough I'd just be kidding myself. But, given that I had a slot booked at Codfest for 3.20pm, I'd parked my car at completely the wrong end of the NEC and I didn't really owe those guys anything (quite the other way round in fact, given that I had to pay to enter,) I ended up walking out.
So, Codfest. Easily the best of the summer festivals I played for all these two weeks. Sam and his friends had really done a good job getting it all sorted out, and the festival was the most enjoyable day I'd had for a long long time. My set was good; no one is going to go mental for an acoustic set but it was easily the largest number of people I'd ever played to in one gig, and the amount of them who came up to me afterwards and said they'd really enjoyed it was astounding; something I'm really not used to on that scale! I also did a couple of slots at the 'Busk Stop,' singing Disney songs of all things and getting other people up to sing with me, which was a very nice feeling indeed. At the end of the day it had all been one massive party; all the artists were good, everyone knew each other and got on reasonably well so there was no trouble, it was a whole music scene inside one field and one very large group of people that appreciated it. Long may it continue, and well done to everybody involved.
4/9/2011
This gig I was supporting Gwyn Ashton at The Foundry in Dudley. Nice to do a home-town show at last! For me at least there was a feeling of What Goes Around Comes Around, as Gwyn had jammed on bass with Jack's Legacy years ago at The Broadway while they were waiting for me to turn up, and five years later I'm supporting him. I'm also seeing a lot of Emma in In Between Seas, which is hardly surprising as we know the same promoters. It was a good gig all in all, I was probably the least technically able of all the guitarists who played that night but none of them deliver their songs with quite as much venom as I do with Bitterness, once I'd played that the gig was mine for the 20 minutes or so I had left. Only drawback really was the fact that I'd shouted myself hoarse at Codfest the previous day, and it came across in my singing. Oh, and by the way, if you get a chance to go and see Gwyn Ashton play, for God's sake do it. He is incredible.
5/9/2011
I wrapped it up with a trip to Katies with the intention of doing Wide Open Space with Dale. He wasn't there, but it's surprising how much of the Katies crowd I have a friendly familiarity with now. All things considered singing Man That You Fear by Marilyn Manson wasn't one of my better moves as it really hurt my throat, but I also gave them Bitterness and We Will Survive, and the guys I spoke to afterwards reckon it sounded pretty good.
So there you have it. Busy busy, but let's be honest, this is what I wanted all along, being able to gig every night. It'll probably slow down a bit now the summer is behind us, but hey, I'll keep doing gigs every week, and there's talk of a recording coming up soon as well so we'll see how that goes, it's about time I got a CD out!
26/8/2011
It all started on what I can only describe as a soggy afternoon at the Pulse Festival, just North of Coven, with Natasha and the 82s. This was a relatively short set for us, only 10 songs. I was suffering from having not long changed my guitar strings, and it kept going out of tune in the weeks running up to it and had only just began to settle; not helped by the fact that I hit the thing rather hard! The highlights of the set were definitely Word Up and Sound of the Underground, where I pump up the gain and really let loose on the guitar. The mistakes were there and we knew it, but it was our first gig so we weren't going to be too hard on ourselves.
27/8/2011
The following day I was at The Malt Shovel in Great Barr, playing a Summer Jam festival organised by the Kiesters Brown who I'd met in Stafford a few months before. Lots of summer festivals! There was a distinctly 'British' feel to this one, i.e. it was pouring it down with rain. The festival also suffered from a few pull-outs, so there was quite a bit of time between bands which meant I didn't get to see them all and unfortunately I missed the Kiesters. My set went OK, not the most inspired I've ever felt while playing a gig but my song order was by then becoming quite predictable. That being said, it's the best feeling in the world to see your own lyrics being sung back to you while you're playing, and as a lot of the guys with the Kiesters had seen the video of me that we did in Stafford Uni, a lot of the guys knew my songs already! On the downside, I've really got to stop tapping my foot while I'm doing A Little Respect. It hurts after a while!
28/8/2011
After band practice with Aki Maera we went down to Katies to play their summer festival, and despite it happening in the upstairs bar because the downstairs area was flooded, I actually had a really good time with this one. I almost reversed my setlist, instead opening with Girl's Names (I can play it well enough now to put on a far more convincing performance) and enjoyed it a lot more for all that. Also Dale recorded me singing Wide Open Space, and Amy recorded me singing Girl's Names, so there might be a couple of you-tube videos and a duet with Dale in the runnings before too long...
31/8/2011
That was supposed to be it until Friday but it turns out Emma wanted to book me for the Sunflower Lounge again due to another pull-out. I remember feeling very morose for this one because my mouth was in searing pain, and I adjusted my setlist to put all my miserable songs in there. It actually worked quite well because there was some semblance of consistency in my set, and it was nice to play Dear Mr Manager again; I don't often play it but it fit the bill for tonight. I asked the audience at the end whether they wanted a fast song or a slow song to finish off, somebody said 'fast' and I brought it to a close with Bitterness, a good decision because it always goes down well, Mitch liked it and so did the other guy who played that night!
2/9/2011
Another 82s gig, this one was at the Sneyd Inn and was pretty much our first full gig. It went OK, we were playing the songs better than we did the Friday before. There were booking agents there who were giving us some very useful feedback, for which I am grateful, but there are other things to sort out. For a start, if Rich and Sue are going to do a Name That Tune thing before we start the song, it would really help if they tell me and Jarv first, because if your own band doesn't know what you're playing it doesn't bode well for anybody else. But there were a few people there who really enjoyed what we were doing so if nothing else, I know we're playing the right songs very well. Hopefully there'll be a keyboard player pretty soon as well...
3/9/2011
A quick note about Open Mic UK: I was scheduled to audition, and if I pretend that the reason I didn't was for anything other than I didn't get up early enough I'd just be kidding myself. But, given that I had a slot booked at Codfest for 3.20pm, I'd parked my car at completely the wrong end of the NEC and I didn't really owe those guys anything (quite the other way round in fact, given that I had to pay to enter,) I ended up walking out.
So, Codfest. Easily the best of the summer festivals I played for all these two weeks. Sam and his friends had really done a good job getting it all sorted out, and the festival was the most enjoyable day I'd had for a long long time. My set was good; no one is going to go mental for an acoustic set but it was easily the largest number of people I'd ever played to in one gig, and the amount of them who came up to me afterwards and said they'd really enjoyed it was astounding; something I'm really not used to on that scale! I also did a couple of slots at the 'Busk Stop,' singing Disney songs of all things and getting other people up to sing with me, which was a very nice feeling indeed. At the end of the day it had all been one massive party; all the artists were good, everyone knew each other and got on reasonably well so there was no trouble, it was a whole music scene inside one field and one very large group of people that appreciated it. Long may it continue, and well done to everybody involved.
4/9/2011
This gig I was supporting Gwyn Ashton at The Foundry in Dudley. Nice to do a home-town show at last! For me at least there was a feeling of What Goes Around Comes Around, as Gwyn had jammed on bass with Jack's Legacy years ago at The Broadway while they were waiting for me to turn up, and five years later I'm supporting him. I'm also seeing a lot of Emma in In Between Seas, which is hardly surprising as we know the same promoters. It was a good gig all in all, I was probably the least technically able of all the guitarists who played that night but none of them deliver their songs with quite as much venom as I do with Bitterness, once I'd played that the gig was mine for the 20 minutes or so I had left. Only drawback really was the fact that I'd shouted myself hoarse at Codfest the previous day, and it came across in my singing. Oh, and by the way, if you get a chance to go and see Gwyn Ashton play, for God's sake do it. He is incredible.
5/9/2011
I wrapped it up with a trip to Katies with the intention of doing Wide Open Space with Dale. He wasn't there, but it's surprising how much of the Katies crowd I have a friendly familiarity with now. All things considered singing Man That You Fear by Marilyn Manson wasn't one of my better moves as it really hurt my throat, but I also gave them Bitterness and We Will Survive, and the guys I spoke to afterwards reckon it sounded pretty good.
So there you have it. Busy busy, but let's be honest, this is what I wanted all along, being able to gig every night. It'll probably slow down a bit now the summer is behind us, but hey, I'll keep doing gigs every week, and there's talk of a recording coming up soon as well so we'll see how that goes, it's about time I got a CD out!
Wednesday, 24 August 2011
24/8/2011: The Sunflower Lounge, Birmingham
So for the second time this month, I find myself playing a new venue. I’d been to the Sunflower Lounge before to watch Pan and the Poets, and I was aware of the fact that the venue does take itself seriously, but even without this, the stakes are always higher if it’s a new gig. I was therefore wondering for a long time what to play; whether to play my faster songs which would fit about half of the audience, or my arty ones that would fit the venue. In the end I just decided to play whatever the hell I felt like, and fell back on almost exactly the same set list I played in Cradley Heath last week. If it ain’t broke…
Kicking of with Bitterness was probably the best decision I made all night. The guy who was on before me was quiet all the way through his set so suddenly bursting on to the stage with this one was probably just what the audience needed at that point. I did hear the sound guy having fun with the mixer – my pickup has never been the favourite of sound engineers, and for what it’s worth the sound was great for the rest of the night – but apart from that it all went very well. I got the roar at the end of the song exactly right, and it’s nice to be in an environment where I might get away with it.
Followed that up with Get Out Of My Head. I was conscious of the fact that Sam Tilley, who had gone on first, was a fan of Maroon 5, who inspired most of the music for this song. He didn’t say anything but it appeared to go down well; a lot of the guys in there were quite attentive and I can’t fault them for that.
For the first time for quite a while I’d actually managed to get some people to come to a gig, in this case Hannah and John who used to be in Perception with me,* and Mark who does That’s Sound recording. For my two former bandmates, neither of whom I’d seen for months, I played my rendition of Let’s Start A Band, a song we used to cover. I fluffed up a chord at one point but other than that it went OK and there was at least one other person in the crowd who knew what I was playing because I saw her singing along. A good one to remember! Thanks very much to the three of you for coming, I appreciate it.
I gave Chapter One another go next. My ‘Does anyone come from Perry Barr?’ spiel seemed to work, although that’s probably because I was prepared for the fact that actually probably none of them came from Perry Barr and scripted my response accordingly. I wouldn’t necessarily do it in, say, Northumberland, but around the Midlands it just might work. I played the song a lot better than I did last week, I did fluff up the words again but I was able to cover up my mistakes far more effectively so I’m pleased; I’d be happy to play it again live. I think maybe the song is a little too quiet for an environment where I have to plug my guitar in; tonight for example the sound on my guitar had to be right down for the heavier moments which means that when I was playing quietly the guitar would have been almost inaudible. But that won’t necessarily always be the case; I’m in the market for a new guitar after all!
I then followed it through by playing the same chords in to Storm From The North. One very careless blunder while I was playing this: It was going very well indeed. No sooner had this thought entered my head than the plectrum started to slip out of my hand. Thankfully I rescued it – but that could have been interesting! I had a feeling, this being a new gig, that I’d get clapped over the last quiet bit, but this time when it happened I just let the audience get on with it and came back in when they’d quietened down. That was far more effective than mentioning it during the song, though I did make a point of thanking them for applauding twice for one song once I’d finished.
I wrapped it up with We Will Survive, which I think is one way I can make absolutely sure that whatever else happens, I will go out with a bang. The thought entered my head as I was playing that it’s been a while since I last changed the strings on my guitar, and I can consider myself very lucky to still have all six at this point. I need to keep an eye on it because I’m very busy in the coming weeks.
So this one was certainly one of my better gigs in recent months. There were people there who were playing better than I did; doing all sorts of things with open tunings that I wouldn’t even try at this stage, and singing better as well. But that still didn’t stop a rather proud feeling of setting the bar quite high for the act that was to follow…
I’ve got a gig with the 82s at Pulse Festival in Four Ashes on Friday, so if you want to see what all the fuss is about I’d say that would be a pretty good place to do it.
*Perception never officially broke up, but it will be a long time, if ever, before we play together as a band again. It’s a shame, but I think we were reluctant to admit that we just weren’t moving in the same direction musically, and sort of necessarily let it die over the past few months.
Sunday, 21 August 2011
19/8/2011: The Victoria Inn, Cradley Heath
All quiet on the gig front due to Holidays and such, but I'm back...
This was to be my first gig supported by PricklyMusic P Romotions (I know;) and as I'd never played the place before nor had I done a solo gig for a while, I was in 'New Gig' mode...
I was on first, a position I wouldn't normally take out of choice but it gives me the rest of the night to kick back and relax. As it was a new gig, I started with Bitterness, and I saw quite a few people sit up and listen to the whole 'rock star with acoustic guitar' thing that I have going on. It was as I was singing the line 'With long red hair and wild eyes that could tear my soul apart,' that for the first time since I've been playing this song I happened to notice a young lady in the audience... with long red hair. Laughter ensued from that particular group, who turned out to be one of the bands that was on later, but I made a point of saying in the musical interlude to the song that it was extremely unlikely that she was the person the song refers to. Other than that, it went quite well.
As ever, I followed it up with Get Out Of My Head, which now that I had the attention of the audience was met with the kind of appreciation that I think this song deserves. I didn't play it all that well, I fluffed up a couple of chords and dropped my plectrum, so I had to finish the song with my fingers, but again, the crowd seemed to like it.
I then road-tested my new song Chapter One, after announcing that it refers to moving out of Perry Barr. I think it is a good song and it went down quite well, though probably not as well as it would have done had I picked a faster song to keep up the momentum. I also fluffed the words to the first chorus; I was halfway through singing the wrong line before I realised I couldn't do anything about it; the mistake must have been noticeable even to an unfamiliar crowd, but at least I made it all the way to the end of the song which is more than I've managed on some other occasions I've chosen to showcase a new song! I was also reliably informed by Aaron from Pheonix Rising that the PA cut out halfway through the song - I didn't notice, but it wouldn't have helped that I was making a deliberate effort to keep quiet. (Oh, and Aaron, if you're reading this - sorry if I've spelled your name wrong; there's about 20 different spellings of the name so I just had to pick one and hope for the best.)
Followed that up with a much better performance of Storm From The North. Interestingly, given my last Katies blog, I came surprisingly close to Emma hearing that song for the first time tonight - In Between Seas were actually on later, but because they also had a gig in Birmingham on the same night they didn't arrive until just before they went on. I imagine when that eventually happens, the ensuing discussion will be very interesting. But for tonight, all that happened was the same thing that happens every time I play the song in a new place, which is that people start clapping just before the last 'quiet bit.' At least I spared them Nothing Else Matters, though I was seriously considering it at one point...
I finished up with We Will Survive. I think I'm going to have to stop putting the Battle Royale reference before it; I know what I mean but it always feels really clunky to explain. That was probably my best song of the night, an opinion shared by Cal from Prickly; looks like I've got the first and last songs sorted out, it's just the rest of the set I need to figure out now!
So, an enjoyable return to acoustic gigging. My next one is at the Sunflower Lounge in Birmingham next Wednesday, see you there!
This was to be my first gig supported by PricklyMusic P Romotions (I know;) and as I'd never played the place before nor had I done a solo gig for a while, I was in 'New Gig' mode...
I was on first, a position I wouldn't normally take out of choice but it gives me the rest of the night to kick back and relax. As it was a new gig, I started with Bitterness, and I saw quite a few people sit up and listen to the whole 'rock star with acoustic guitar' thing that I have going on. It was as I was singing the line 'With long red hair and wild eyes that could tear my soul apart,' that for the first time since I've been playing this song I happened to notice a young lady in the audience... with long red hair. Laughter ensued from that particular group, who turned out to be one of the bands that was on later, but I made a point of saying in the musical interlude to the song that it was extremely unlikely that she was the person the song refers to. Other than that, it went quite well.
As ever, I followed it up with Get Out Of My Head, which now that I had the attention of the audience was met with the kind of appreciation that I think this song deserves. I didn't play it all that well, I fluffed up a couple of chords and dropped my plectrum, so I had to finish the song with my fingers, but again, the crowd seemed to like it.
I then road-tested my new song Chapter One, after announcing that it refers to moving out of Perry Barr. I think it is a good song and it went down quite well, though probably not as well as it would have done had I picked a faster song to keep up the momentum. I also fluffed the words to the first chorus; I was halfway through singing the wrong line before I realised I couldn't do anything about it; the mistake must have been noticeable even to an unfamiliar crowd, but at least I made it all the way to the end of the song which is more than I've managed on some other occasions I've chosen to showcase a new song! I was also reliably informed by Aaron from Pheonix Rising that the PA cut out halfway through the song - I didn't notice, but it wouldn't have helped that I was making a deliberate effort to keep quiet. (Oh, and Aaron, if you're reading this - sorry if I've spelled your name wrong; there's about 20 different spellings of the name so I just had to pick one and hope for the best.)
Followed that up with a much better performance of Storm From The North. Interestingly, given my last Katies blog, I came surprisingly close to Emma hearing that song for the first time tonight - In Between Seas were actually on later, but because they also had a gig in Birmingham on the same night they didn't arrive until just before they went on. I imagine when that eventually happens, the ensuing discussion will be very interesting. But for tonight, all that happened was the same thing that happens every time I play the song in a new place, which is that people start clapping just before the last 'quiet bit.' At least I spared them Nothing Else Matters, though I was seriously considering it at one point...
I finished up with We Will Survive. I think I'm going to have to stop putting the Battle Royale reference before it; I know what I mean but it always feels really clunky to explain. That was probably my best song of the night, an opinion shared by Cal from Prickly; looks like I've got the first and last songs sorted out, it's just the rest of the set I need to figure out now!
So, an enjoyable return to acoustic gigging. My next one is at the Sunflower Lounge in Birmingham next Wednesday, see you there!
Friday, 19 August 2011
The Fakes: 29/7/2011 The Earl of Dudley Arms
Two gigs with the Fakes in the space of a few months is rare to the point where I actually think it’s unprecedented, nonetheless we were delighted to have the chance to play the Baseline at the Earl of Dudley Arms in July once again. It had gone well last time, we learned from our mistakes, and we were ready to give this gig a really good go. Unfortunately, it didn’t work out that way…
Being honest, this wasn’t one of our better ones. The problem was we went on far too late; we were last on a bill of 4 acts, and things were taking a long time to work through, so by the time we took the stage, the alcohol had been flowing, we were tired, and to be quite frank we weren’t concentrating. It didn’t start off too bad, our usual combo of set openers worked quite well and even though it wasn’t the best we’d played them, it was good enough. The problems began, I think, when I left the stage to go to the toilet. Reason I did this was because the rest of the band were playing Come As You Are, which I don’t actually play on. (I turn up late for near enough every band practice so the lads usually play this one while they wait for me.) By the time I’d come back, it had all one to pieces, we were making mistakes in the songs that we knew far better than to make, and it generally wasn’t working very well at all. I don’t know if leaving the stage had anything to do with it but by this precedent it’s not something I wish to repeat.
Not that there was nothing good about the show; the audience enjoyed it and the one person who was causing problems got thrown out just before we went on so I was able to be a lot more relaxed. The biggest thing I was pleased about, though, was the fact that we called it a day when we did. The original plan was to go back on stage after we’d finished our main set and do another 6 songs, but we decided not to. We finished once again with Dakota by Stereophonics, which to be fair we always play well no matter how badly the rest of the show went. We got off the stage, and the gig felt like it was over; there was no reason to go back on. Compare this to last time, where we over-extended our welcome by at least a few songs, and I think that was a mature decision and a noticeable progression from last time.
So, not so great this time. But in the Fakes we’ll never let something like that get us down, we’ll get back into the practice room next Monday, have a run through some songs, and look forward to the next gig, whenever that may be. There’s no plans for another Fakes gig yet, however I’m playing tonight at the Victoria Inn
See you soon.
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