Heading for the End Part #2: The Rose and Crown in Glory

So we finally reach the end of 2 years and 4 months of tireless gigging. Here's how it all went:

After warming up in the soundcheck to the first bit of All Star by Smash Mouth, I opened my set with Get Out Of My Head. I did the a'capella intro because I think opening a gig like that lends a certain amount of intrigue to proceedings, and given that I was following Neil Corbett, who just for the record is really, REALLY good, I thought I'd better look like I mean it. It did the job and I played it reasonably well; it has certainly served me well over the last year and a half!

Bitterness is of course the song that everybody remembers. I opened it by telling everybody that footage of me playing it now exists on Youtube, and hammered it out my my usual measure of bile and spite. Mitch said that's his favourite of my songs and he loves to hear me play it; I must admit it's probably one of the most enjoyable songs I play live, made all the more so by the small number of times I choose not to.

I then for only the second time brought on a guest, Mitch Jones to sing Hurt by Nine Inch Nails/Johnny Cash. Should probably have told Mitch which version we were singing because he sang the NIN lyric - you know the bit I mean. But it was a good song, fit my mood perfectly and it was a pleasure to sing with him. We might do it again in the future, who knows?

Then I did something I've been meaning to do for a while and sing A Lonely Night while throwing in the chorus to Dani California by the Red Hot Chili Peppers. I did open it by dedicating it to RHCP 'for stealing my fucking song,' but in case and Chili Peppers people are reading this or saw it, I WAS ONLY JOKING. I want that on record, as I don't want a lawsuit for defamation! It would have worked well if I remembered the words to it, unfortunately I tripped up on one of the lines so it didn't go as well as I'd hoped. The rest of the song went OK though.

I finished off with one of my 'It's all over' songs, Home for Summer by Feeder. This one takes me right back to calling time on Jack's Legacy; it's fitting I think to end my last gig with this one. It worked perfectly.

Well I got some very positive feedback from some people who hadn't seen me before so thanks for that guys; I think as last gigs go, I could have done far worse than this. Thanks to Cal and Joy from Screaming Harlot for putting me on, and to everybody who watched my set.

Now with any rules, there are exceptions. I'm not doing solo gigs any more. I may, however, do some or all of the following:

• Gigs with The Fakes, or any other band I join,
• Back-up musician for a singer, e.g. Hannah,
• Compere gigs for the St John's Church group (which I haven't been blogging because I'm not actually performing, just compereing)

So I doubt you've seen the last of me. And I might be back playing gigs at some point. But for now, I need to take a long, hard look at myself and see what I want to be doing with this.

Because what I don't want to do is come back and do exactly the same thing I was doing when I left...

Goodbye for now!

Heading for the End part 1: A Stormy Misdirection at the Hartley Arms. 23/4/2012

Hi there.

Not done a blog in a while; I'm afraid being obliged to write down the details of every single show I do can feel a little overwhelming at times, and I don't always get time to do it. I did a gig at Four Ashes a couple of weeks ago for example, and headed down to Amy's straight after. While it would not be literally true that I didn't have time to write a blog while I was there, she certainly wouldn't have thanked me for it. Which is a shame because that show influenced a lot of what it coming here:

I'm going to be taking an indefinite break from playing live. I can think of a few reasons for it but they basically come down to the fact that I've had enough. I gigged every week all of last year, and I've not done much less than that this year so far. Some shows I've enjoyed more than others, and what I've got out of it is refining my set to the point where I can put on a far more convincing show than I ever could before.

What else does that get me? Not a fat lot. I have very rarely been paid for playing a solo gig, (thanks to Sam Draisey for being the only one who has so far,) I couldn't sell a CD to my own mother (she's heard it all!) and usually the only way I can get anybody to come to a gig is if I drive them there myself.

Now I know that perhaps I should be doing more to change that. Burning off some CDs would be a nice start; getting a proper Facebook page, really promoting those gigs, get a decent contract on my phone so I can actually afford to send mass texts to people who might want to come. But the way it's been going so far hasn't put me in particularly high spirits and offering much incentive for me to do that. Plus I've been doing a lot of other stuff as well; I'm more in to my games now than ever before and it's taking up a lot of my time, and in many cases proving a lot more enjoyable. I think I need a few months off, give me some time to miss gigging and actually want to get back to it, during which I need the following things to happen:

• Get a proper Facebook music page
• Get a Twitter account to use with the Music page,
• Get some CDs printed off properly with a cover and everything
• Sort my PRS stuff out - I'm nearly there, I just need my birth certificate
• Write some new songs. Seriously, I've been playing most of the regulars for nearly two years now, and apart from the new one that I wrote at the Robin 2 that I've completely forgotten the name of, my most recent one is A Lonely Night and that's about 8 months.
• Get some sort of mailing list system going when I'm doing gigs so I can actually keep in contact with the people I talk to. Fair enough by now that would be some 20 people but it's 20 people I don't have now.

Now in true Matt style ducking out for a few months is out of bitterness, spite and disillusionment with music and its current state, and we'll find out if it's all worth it or whether I've been shooting myself in the foot when I come back to potentially find that all my old contacts and venues have moved on and I'll have to start all over again. Then again, that won't necessarily be a bad thing...

I'll pick this up another time, it's probably about now that I should talk about the gig I'm posting this blog for in the first place...

Ok given all this recent development I wasn't intending on being any good tonight, thankfully it was at  at the Hartley Arms and in the company of Sam and his friends with whom I enjoy a friendly familiarity to the point where I could get away with it. The first song I did was Fall Back Down by Rancid. I've know the song vaguely for a while, the chords are easy enough. I've only got a basic grasp of the words, but then listening to the record I'm not conviced Tim Armstrong knows it all that well either... Sam recognised it and everybody else seemed to enjoy it so there are worse songs to play!

I then played something I'd barely played before in my life and was a bit risque, Dark Heart Silhouette by Vendetta Red, who I'll happily tell anyone who'll listen that they are the best band you've never heard. That's probably the most offence I've ever caused in one song, with the lyric 'And I watched him take her, beat her and rape her, and he said if you tell anyone I'll have God kill your Mommy...' so I need to be careful where I'm playing that! It seemed to go down OK but no one really knows the band so I was playing it to enterain myself as much as anybody else.

Feeling that I should probably get some of my own material in there I decided to play Bitterness. It went down reasonably well athough I was at that point suffering from the coke and pizza I'd had earlier, and singing so hard I felt like I was going to be sick. I don't know what was worse, that or telling everybody about it afterwards.

I finished up with a false start - and subsequent retry - of Storm from the North. Once I'd got it, it was fine, though I shouldn't let that happen a great many times. Only last Friday I managed to get the giggles half way into it. I was conscious of the fact that Sam was filming this one and I wanted to give as good a performance as I can. If what Sam filmed comes out barely passable, I'll put it on the blog and see where it goes from there.

So I probably won't be at the Hartley Arms again too soon. I might go to the Robin when Sam puts it on but Wheaton Aston is a little far for me to go just to watch. Still, it's been good to me and has given me a nice platform to spring some new material from so I'm grateful for that!

Might see you Thursday, might see you Sunday...

New Songs or Old Classics? Gigs at the Rose and Crown and the Robin 2, March 2012

This is the first gig I've done for a while with the guys from Screaming Harlot - formerly Prickly Promotions - and I wanted to make it count. It was an unfamiliar audience to a degree, though Sam and Elliot were there making it a Travelling Fools gig as much as anything else, and it was a pretty relaxed atmosphere to be honest.

I've noticed a worrying precedent - unless I write my set list down straight away, I pretty much forget what I've played of a night. I remember they were all originals, I deliberately chose not to put any covers in this time. I remember forgetting the words to Get Out Of My Head, and then remembering them just in time. I remember playing A Lonely Night, and the whole thing held together quite well, but other than that not one of my more memorable shows.

I also did Sam's Open Mic at the Robin 2 the following Tuesday. I do remember what I played here, though this had more to do with the fact that it was almost completely different from usual. The set was:

Right Where It Belongs (Nine Inch Nails)
Prisoner of my Mind
The Edge Of My Universe
Bitterness

Now I know what you're thinking - What's The Edge Of My Universe? That's a new one... yes, you're quite right, that's my latest song. In fact I wrote it when I got to the Robin 2; I disappeared into the 'Noddy's Bar' bit at the back and wrote it there. I had to read of the words and I'll need to work on the delivery of those lines a little bit, but other than that it worked quite well!

I also got told by someone who saw me play there the last time that my 'wit' that I have on stage is really good and I should keep on doing it. That's nice to know, it's actually quite difficult to guauge if people find me funny or not!

So, my gigs are more memorable if I put new songs in there? Well, we know what to do...

A run of gigs in Feb/March

Once again I've done it where I've done loads of gigs and haven't blogged them. And since I've forgotten almost everything that's happened since the first one, I'll write them up as one entry...

23/2/2012: The Quality Hotel

This was a charity gig for the St John's Church Preservation Group. Here, I played some of my songs and a couple of covers for good measure. I think the set list was probably Get Out Of My Head, A Little Respect, We Will Survive for the first set and Storm From The North, Do The Strand and Bitterness for the second. Not sure what the audience made of my spiteful aggression, if I'm honest! I do remember messing up rather badly in Do The Strand, forgetting the words is something I really shouldn't be doing and indicative of the fact that I hadn't really practiced enough. A Little Respect was probably the best song in terms of audience reception. Given that it was a family event and I had to keep the language to a minimum, it blunted Bitterness's usual fury, and I didn't even try to play A Lonely Night. I compered for some of the night as well and it went quite well. It was a nice night, and I was very pleased to have been a part of it, but I can play better than that...

27/2/2012: The Hartley Arms

It was a very quiet night again at the Hartley Arms; just me, Sam and this other fellow called Sam to play the entire night. I did a longer set therefore than I would usually do, although I can't quite remember what I played. I was tired that night! I played Believe at some point I know I did Into The West for the first time there, and it seemed to go down quite well although for how loud the rest of my set is, it's quite hard to know where to put it!

7/3/2012: Katy Fitzgeralds

This was another emergency booking from Sam, with what turned out to be a disappointingly small audience. Fair enough I was on first, but there were 5 people in the room when I started playing, and by the time I'd finished there were two people left. And that was the next act and his Dad. Conseqently my energy suffered; there's no point coming out all guns blazing when there's nothing to shoot at. I think this is the first time for a long time that I've done a full gig at Katies and not played Bitterness; instead of that I played a softer version of We Will Survive which, for Alex Young and his Dad, is a privilage because that's probably the only time I will ever play it.

8/3/2012: Newhampton Arts Centre

This was a new venture for me, brought on by George who runs some open mics with Dan Skillern. Georges plan for this open mic is potentially quite huge so I had a feeling that the stakes were slightly higher than usual tonight; I thought I'd better make it a good one.

Kicking off as usual with Get Out Of My Head, I opened my set with a steady performance, if a little predictable. New venue it may have been, but most of the people there were at the Four Ashes a few weeks before or had seen me before anyway, so it wasn't exactly a surprise to hear me play this song first. If it was, I didn't feel it. The novelty, then, was hearing me fluff up one of the chords. We're off to a good start...

I had a feeling my set was going to be shorter than it was so I played Storm From The North next, telling the 'Crashpoint' story as I went in to it. I'm not sure I need to do that anymore as the song seems to have taken a life of its own, and I think I played it quite well, though I did decide to experiment by leaving the gaps between the separate sections of the songs just a little bit too long.

The song I really wanted to get out there tonight was A Lonely Night; George is talking about doing some recording in the future and this is the one regular song in my set that I haven't yet recorded, so I wanted him to hear it to find out what it was like. I'm not sure what he thought of all the swearing but I played the song steadily enough. I need to calm down when I'm kicking it off though; I come on a little strong on the opening chords which doesn't do wonders for the dynamic of the song.

I did the fast version of We Will Survive, after making the Battle Royale reference (incidentally, I'm reading the book at the moment; it's good stuff!) I think picking up the pace a bit helped, but usually by now at an open mic I'd be thinking about wrapping it up and I think the audience was of the same mind; some of them wanted their turn, some of them were fed up. It was probably good then, that I played one of my faster songs to try and kick it up the derrier!

And then for some reason I turned around and played Into The West again, offering 10 points the first person to tell me what film it was from. Nobody got it, although Dan told me afterwards he thought it was Lord of the Rings and couldn't quite remember where he'd heard it before. Then again I don't sound much like Annie Lennox! I think building up the pace in the previous song and dropping it straight back down again with this song wasn't one of my better ideas, but I'll know not to do it again and pick a more opportune moment to put that song in my set in future.

I wanted to go out with a bang so I ended with Bitterness, and you really got a feel for the sound in the room when the 'Bang Bang Bang' bit was carrying across the hall! The song will surprise no one who's heard me before but they seemed to like it, and I could have picked worse songs to end the gig with.

It probably sounds, from the way I've been writing, that I was none too pleased with how this all went down. It's true that I've been feeling a little flat on the gigging front, perhaps I'm running out of steam, I don't know. I know I've done better than this in the past, and after that run of good gigs at the start of the year it seems like it's all going a bit downhill now. Still, not to worry, I keep on doing it and hopefully something will come of it, and now that I'm aware of this maybe I'll be able to pick up a bit more pace for my next few gigs.

Because The Night belongs to the Robin 2... That was terrible. 22/2/2012

So there I was minding my own business when Sam put out a call to arms for everybody he knows to come down to the Robin 2 once again for his open mic night. Well, I can't turn down an offer like that...

I got four songs this time, rather than three, so I began with Get Out Of My Head. This didn't go too badly at all, I made one daft mistake with the chords playing Em when it should have been E, but if that's the worst thing I did all gig then I'm not doing too badly at all. The rest of it was note perfect, and I'm beginning to appreciate the value of this song as a 'warm-up' piece, if I haven't been playing any substantial amount of guitar all day it's useful to play this one before all the fast strumming of my other songs kick in.

Sam had earlier told me that he'd compiled a CD of songs that he'd recorded from the sessions he'd done, and that the song he'd used from my session was Storm from the North, so naturally I felt compelled to play it! One of the regulars from the Woodman who hadn't seen me for a while said that it was the first time he'd actually been able to listen to the lyrics, and that he thought it was really good and that was the best he'd ever seen me. Well, as far as compliments go, that's about as good as it gets, so thanks! I do enjoy playing that one actually, the different verse structures makes it a bit different from my usual songs and feels less like I'm going through the motions. Impossible to think that about a song when you write it, but I think I struck gold with that one!

Then I had a go at Because The Night by Patti Smith, preceded by an explaination to having to drop £800 on reparing my car over the last few weeks which was loosely relevant to Bruce Springsteen, who sings about cars, and also did a version of Because The Night so it's a long way round but I did move in the direction of relevance in the end. I'm playing this a lot better these days, though I still have to concentrate. It's another of the songs I do that's popular but not covered all that often, so when people hear it they think 'Wow, I haven't heard this for ages!' and if they grew up with that style of music - which in many cases they did - then so much the better. This one's a keeper!

I ended of course with Bitterness, expecting and in fact fully intending to break my G-string along the way, much to the amusement of the crowd. It's always the G string for some reason. What's actually happening is that the brass winding around the string is coming off at around about the second fret of my guitar. Any day now... The string survived, and I put the ever-increasing amount of venom into that song to make the required amount of impact.

All in all, I think I did quite well here! A really good night and I enjoyed it, tired though I was!

Classic Set at Katies, 8/2/2012

This was a turn-up for the books that came to me in the middle of the day, and gave me another chance to flex my singing muscles in front of what turned out to be quite a substantial crowd at Katies tonight!

I began with something I hadn't done in a while and started the show with the Get Out Of My Head and Bitterness combo. I'd forgotten how well those two songs played together worked! The former was as good as it needed to be and my performances of Bitterness are getting ever-more visceral; all in all not a bad start.

Feeling a need for a change in mood but not wanting to reduce the pace by very much, I then went ahead and played A Little Respect. I definitely clocked some people singing along to it this time! Funny how one well-chosen 80s classic can become such an intergral part of my set-list. Nitpicking now, but the Bflat bit with the guitar solo in there could use a little tidying up, it's rare that I don't hit the A string with that so either need to play it as a barre chord or be very careful where I'm strumming.

Naturally I was exhausted by then, so I kept the opening refrain of Storm from the North going for as long as I could get away with. It's funny, thinking about it now, how the classic set seems to be coming back around on itself and I'm putting this song back in the middle once again. There was some definite attetion going through the whole show, so all I had to do was keep it up...

I more or less managed it with A Lonely Night, which is new enough not to have become part of the 'classic' set yet. However I did stop concentrating in the second verse and sang half of the first by mistake; stupid and I shouldn't have let it happen but I doubt anybody would notice. As far as I knew, it was only Dave and Sam who had heard it before!

I then played my second cover of the evening, My Girl by whoever wrote it (I'm most familiar with the Otis Redding version, believe it or not...) This turned out to be rather a poor choice of song, as rather than remain engaged, most of the people in the room disappeared out the back for a cigarrette. So I probably won't play it at Katies again, though I won't write it off comepletely; I'm sure in the right spirit and in front of the right audience it would go down as well as you would expect a song of that calibre!

I finished off, of course, with We Will Survive. Again with the classic intro ressurected! It felt really good to be playing the old set again, which is saying something because it became quite stagant towards the middle of last year.

I remember when I was in Crashpoint, and we'd lost Jay out the band, and Emma for some reason was trying to slow the whole pace of the music down to something far slower and more methodical than the raw fury we'd been making our staple sound up to that point. I reckon that if we'd ever have done We Will Survive in the band, (not entirely implausible, as I wrote it just as the band was coming together,) Emma would have gone for the slower version. It's nice to do something a bit different every now and then - but I'm not forgetting what my songs originally sounded like! Funnily enough, the fact that I rarely play to the same audience twice these days makes me think that doing slight variations in my own songs is more for my entertainment as much as anybody elses, but it worked!

It's probably also the first time I've played a full gig at Katies for, like, ever and not played Girl's Names. Probably just as well. I don't want to play a song like that just because I feel compelled to. In fact that would probably be conducive to me playing something completely different!

Might be checking out a new open night tomorrow, see you soon!

Matt

New Covers for January!

Didn't have a gig last week, for the first time since the summer. It gave me the opportunity to take a bit of a break and write a new song, though it will need some rehearsal before I play it live!

My new year's resolution for 2012 was to learn a new song every week. Reason for this is I'm really looking to increase the range of covers I can play, cater to all audiences, use the skills I've gained over the last couple of years to complement the songs I choose to play, and hopefully learn some new skills as well. So launching straight into open nights in the new year, I began...

I actually learned 2 in the first week. Patti Smith: Because The Night is a throwback to the Perception days, and I always liked the song so I decided to learn it. For some reason with this one I've found the lyrics really hard to get, but in front of the right audience it goes down well. I don't think it was a mistake to play it at the Maverick!

The other was Roxy Music: Do The Strand. This is one of the ones I learned when I was learning songs for the Roxy Music tribute act, Roxy Magic. Interestingly, I've tried to learn Oh Yeah before now, on several occasions... but as much as I like the song on the record, it's not all that interesting to play. Do The Strand, on the other hand, was a welcome challenge - there's a lot going on, and I had to work out what I was going to do with 6 strings and still be faithful to the song. I think I do alright! The lyrics are a little tough to remember but I've had a good run of playing this live so far so I reckon it's a keeper.

I was not in a good mood when I decided to learn Marilyn Manson: Coma Black. For that reason I haven't played it all that much since the week I learned it. As will all Marilyn Manson songs, it's murder on the throat! But as I've been listening to him for 12 years now, and that song for most of those years, I basically knew it already, and it was just a case of reminding myself of the chord sequences and a couple of the lyrics. Whether I'll ever play it live is anyone's guess.

I've been wanting to learn some Within Temptation since seeing them live, and I picked my favourite song off their most recent album: Sinead. It's got quite a bombastic disco-stomp chorus that can't really be done on an acoustic guitar, but the chords are not actually that hard. Not much of Within Temptation is to be honest; they're great musicians but the structure of the songs themselves is usually quite straightforward.

I decided to be lazy for the last week in January and learned another Within Temptation song: Shot In The Dark. This was even easier than Sinead to be honest, because the chords were even more straightforward. I've enjoyed playing it but I don't know where I'm going to be playing either of these songs live to be perfectly honest; Within Temptation are not exactly a commonly known band amongst the acoustic fraternity so I'll have to pick my spots carefully here.

So - another few songs added to my repertoire! Actually in the song that I've most recently written you can hear the Within Temptation influence. So the effect it's having on my songwriting is tangible so far.

Time will tell where I go with it...