Showing posts with label Aki Maera. Show all posts
Showing posts with label Aki Maera. Show all posts

Monday, 6 May 2013

Matt and Ellie Don't Stop Believing at the Hare and Hounds, Lye 4/5/2013

One question that I don't get asked very often at all, but I wish I did, is: Do you miss being in a band?

To clarify the position, it's been nearly a year and a half since I've gigged with a band on anything like a regular basis, and that was a joint effort between Natasha and the 82s and Aki Maera that meant I was doing roughly one gig a month. Contrast this with, say, this time four years ago when I was very busy with Crashpoint to the degree of a couple of gigs a month at least, and before that with Jack's Legacy where we'd try at least one a month to keep the momentum going, and you can see why it's easy enough to forget that I am, actually, still with The Fakes - which averages out about one gig a year in this day and age.

Either way, the answer is: I do and I don't.

What I miss most about being in bands is this: it's basically all I've ever wanted to do with my life. I know that, at 27, I should have left the 'Rock Star' dream behind a long time ago, and I'm aware of others thinking the same about me even if they don't say it. And even though the day I give up on it completely will be a very sad day for me indeed, when I consider what I'm doing with myself these days - guitar teaching, war gaming, role playing, my girlfriend - even I have to admit that it might be a little too late. So, the only thing I've ever really wanted to do with my life is out of my reach, probably forever. Which isn't to say I don't enjoy doing what I'm doing now. It's just that teaching guitar to kids in schools is about as good for me as it is ever going to get. Not what I wanted to be saying at 27. So I do miss being in bands because that was what kept that dream alive.

However, a lot happened during the last week to remind me of some of the things I don't miss about being in a band. Last Sunday (28/4) an old friend Ellie Hawthorne put out a call on Facebook asking if anyone would play guitar for her on Saturday night, which I answered. Over the course of the next few days, the following happened:
  • Ellie sent me a list of songs she wanted to play. There were 11 songs on this list. I knew one of them. Of the others, two of them were by Paramore - and I used to be quite vocal about my intense dislike of that band, if I am a little more cryptic about the reasons for it. It's personal. But I was not going to spoil it for her by refusing to play them. It's certainly not the first time I've sold out!
  • No problem, I thought. If I learn roughly 3 per day and we can get together for a rehearsal then it should be OK. I had learned all of them except one by Wednesday evening when Ellie messaged me again saying it was off because she had to work. (At least, I think that's what she said, but she left out the word 'work' from the message, which thinking about it could potentially have been any verb conducive to the general effect of not being able to do the gig.)
  • Thursday night she messaged me again telling me it was back on and could I do it? Well, I'd lost two days practice by then, since I was busy that evening, but there should be no reason I couldn't give it a go. So I said yes, and we'd have to arrange a time for a rehearsal possibly the following afternoon? Ellie couldn't make it because she was working. Fair enough; I've not forgotten what it was like to have shifts on appallingly unsociable hours. We'd just have to wing it on the day.
  • 10 minutes later - count them, 10 - my Mom told me that my brother was coming home for the weekend and we were all supposed to be going out for a meal on Saturday night. Sometimes the word 'bollocks' just doesn't cover it. They did at least say that I could do the gig and I didn't have to worry about the meal, but it wasn't a decision I wanted to have to make.
  • Finally learning the songs on Friday Night, I went to the gig and found that when Ellie said we were on at 6pm - and this is perhaps the strangest part of all - we were actually on at 6. The result was that I had finished by 6.45, and even though I'm not in the habit of disappearing straight after a gig, I did that day and managed to go for dinner with my family after all.
It took me straight back to being in bands. I remember being stressed out of my mind having to play gigs we weren't even close to being ready for, having to re-arrange shifts at work in order to be able to do it, and deal with fucking arsehole band-mates who would duck out of it at a moments notice leaving me to either re-arrange it or manage without them. You know who you are. And somehow that responsibility almost always fell on me, especially with Crashpoint and Jack's Legacy. I don't miss that at all.

Now so far this post will have come across to many of you as cynical and negative, so let me make one thing absolutely crystal clear: I have no bad feeling towards Ellie at all for what happened in the week. I am delighted she gave me a chance to play live again, and I really did enjoy the gig when we were doing it, more on that later. In fact, I think the fact that I fought tooth and nail to make it happen is indicative of a) how much I wanted to do it, and b) how much I've missed gigging and not realised. So, on the whole it is good to be back.

One of the things that made the gig for me was my new guitar; a Hofner Electro-Acoustic. I'd been saying for years I needed to retire the old Hondo, and now I can plug in a guitar and save all that tedious mucking about with that pickup. Both are there if I need them, but now I have an electro-acoustic that sounded better than I could have possibly imagined. (I had played it before but never plugged it in.) I think what was conducive do this was the fact that I left the pre-amp alone, and let the sound guys do their thing. Sometimes electro-acoustics don't sound all that good, either woolly or abrasive, but mine sounded OK and that was because I decided I'd leave all my EQ controls at a flat level (which is 5, by the way,) increase the volume of the guitar until sound was coming out of the PA and let the sound guy boost the treble and bass if they needed to, which I'm not sure they did. The result was a sound that as far as I could tell was as clear as it needed to be, without getting in the way of the vocals. I'm not saying I'll never mess with my EQ, but after all, the sound guys know what they're after, and I'm usually happy with a sound...

The set list was:

Journey: Don't Stop Believing
Ally and AJ: Someone To Fall Back On
Paramore: The Only Exception
Taylor Swift: Love Story
Adele: Someone Like You
Demi Lovato: Skyscraper
Miley Cyrus: The Climb
McFly: Love Is Easy
Jeff Buckley: Hallelujah
Paramore: Still into you

And then Ellie finished off with an a'capello version of Rolling In The Deep.

It took a couple of songs to pick up momentum, I think, not least because we started with the two I was least sure about, but considering we hadn't practiced any of them before, or even met in person for almost a year and a half, it went as well as I could have expected. There were mistakes, of course - sometimes I'd play the song incorrectly, sometimes Ellie would come in a little sooner than I was expecting - but we managed to pull it back together quickly and we at least ended all the songs together! I think - and I'm not sure, because I wasn't really concentrating on the reaction from the crowd - that The Climb went down the best. Nobody ever went wild for us, but I didn't expect them to. It was what it was - an event in the beer garden of a pub; the crowd only ever half-listens to you and I was prepared for that. I thoroughly enjoyed playing and I could get in to the role as the side-man again; with all the attention on someone else I can do what I want.

So, am I back now? Yeah, I guess so. There were things I wanted to do before this happened. I wanted to lose some weight, but I've been careless and not done it. I wanted to write some new songs but I've not come up with anything particularly memorable yet. But I will try and hit a few open mics in the coming weeks, and see what happens. I might even try one the week I'm in Swindon.

See you all again soon. And thanks for your patience.

Thursday, 22 December 2011

16/12/2011

Just a quick one...

Aki Maera played a gig at a hall in Penkridge who's name I can't remember at this point. It was the same set list as before; we hadn't had time to rehearse again or iron out the previous identified faults, and the only real difference to the procedings - including all the delays - was the fact that I broke my A string half way through In The Attic. To be honest this was my fault as it had been nearly 2 years since I last changed the things, I should never have allowed that to happen and I know it.

More than that though, the band just weren't feeling it. I guess, with some semblance of sound management, we sounded better than we did at the Wheat Sheaf a couple of weeks before. But we didn't come away from this one feeling anywhere near as good as we did after that. All bands have a bad gig at some point and the onus will be on us to make sure it doesn't happen again, but as I said before, we have got a lot of work to do before we get there...

Thursday, 8 December 2011

30/11/2011: Aki Maera: The Wheatsheaf, Walsall

Aki Maera's first gig. This one had been a long time coming... and I also forgot to blog it. Now, I didn't really analyse the band's performance, only my own, so this time I'm just going to write out the set list and comment on the whole thing. The songs we played were:

Valkyries
In the Attic
Blissful Moment
Until Then
Shy
Drifted
Rise
Monday It's Too Late (encore)

We had some quite positive feedback from this, given that it was our first gig, and to be fair we played the songs pretty tightly. There were mistakes, there always are, and there were definitely some points where Cj was running out of steam on those drums and playing the songs a lot slower than we rehearsed, but this is all part of the learning curve. Marcus and Ian did very well indeed, considering neither of them had played a gig before. And the promoters seemed to enjoy it as well.

However someone who wishes to remain anonymous (I don't know who it is) provided us with some constructive feedback. Our biggest issue at the moment is the transition between songs; we use 3 different tunings in the band and having to change them between 4 out of the 8 songs we played deprived the set of any momentum. The way around it is basically to arrange the set more efficiently; some songs are better grouped together than others. It will blunt the impact of the set somewhat, because with the exception of Monday It's Too Late (this was an unplanned addition) that was the best order the songs could have gone in. But unless we can get a guitar tech to help us out, plus another 2 guitars for Marcus, we should try to rearrange the set. Constantly having to retune our guitars is more trouble than it's worth.

The other problem was our levels were out. Well, it's all very well people saying that after the gig when we can't do anything about it, but we were never going to notice during the show. Cj hadn't got a monitor, we could barely hear anything but ourselves, and even if we could, we know enough about playing live to know that the sound we get on the stage is nothing like how it sounds at the front of the house. One of the promoters needed to tell us that our levels were out and how to put them right; there was nothing really we could have done about it.

There were also apparently some less-than-kind comments about Marcus' voice. I haven't read them. I'm not going to worry too much about this, though. For one thing, I've seen a marked improvement in the whole band and particularly his voice over the last couple of months. For another, someone signed Kings of Leon and that guy's got a very rough voice. So if it's going to get better like it has been doing, and doesn't really matter too much anyway, then there's no problem!

We have no more gigs booked yet and I don't know when we're practicing next so watch this space...